Wounds to Scars
Artist Sheila Gallagher and philosopher-poet Richard Kearney explore the power of remembrance.
A short sample of our events. Scroll down for a full history!
ECLECTIC PRESENTATIONS, DISCUSSION, WINE, AND CHEESE
Night of Ideas occurs simultaneously each year in over 20 cities across the globe. Denver’s Night of Ideas will delve into topics including the sounds of environmental restoration, climate change, existential crises, free speech, religious nationalism, Hinduism and ideological fault lines across geographic space.
Listen to short presentations by scholars from across disciplines, and then choose whose table to join for dinner. Change tables through the night and learn with each group, or take a deep dive into a single topic for the whole evening.
This event is free and open to the public so there is no RSVP required, but they do help us a lot with planning! RSVP at www.AFDenver.org.
Tivoli Adirondacks (Room 440)
900 Auraria Parkway
6:30pm, February 27th, 2024
Co-Sponsored by the Alliance Française Denver, Consulat Général de France à Los Angeles, and Villa Albertine
Click here to add this event to your calendar
Film Screening and Discussion (w/ live piano accompaniment)
A Fool There Was (1915) was previously thought to be be the oldest surviving vampire film. Recently, MSU Denver’s Dr. James Aubrey rediscovered the reel for an even earlier film, The Vampire (1913) in the archives of the George Eastman Museum. Join us for a one-of-a-kind screening on the original 35mm film, with live piano accompaniment by students at MSU Denver Music program. Both films will be screened, and Drs. Aubrey and Vincent Piturro will lead a discussion after each.
SIE Film Center
6:30pm, March 4th, 2024
No RSVP needed, just show up to the theater 15 minutes prior to the showing and let the ticket desk know you’re with Dphi! But, if you’d like to reserve a space for yourself and your friends early, just email [email protected].
Sponsored by MSU Denver Film and Media Studies
Film Screening and Discussion
Martyrs (2008) sees a woman who, after having been kidnapped and tortured as a child, goes to kill her supposed captors, and with her friend discovers the dark truth behind the torture.
WARNING: At it’s premiere, Martyr incited audience walkouts due to its graphic and disturbing content.
After the film, we will be joined for a discussion by Dr. Jean Michel Rabate, who will also deliver his keynote lecture “Lessons from Horror” the next day on Auraria Campus.
SIE Film Center
6:30pm, March 6th, 2024
No RSVP needed, this event is free and open to the public! Just show up to the theater 15 minutes prior to the showing and let the ticket desk know you’re with Dphi!
Keynote Lecture
“We live in a culture in which cruelty is not only accepted but endorsed. Those who worry about horror, violence, and mass murders, force viewers to perceive ethical stakes hidden by the cruel spectacles that surround us. Nevertheless, I will analyze examples suggesting that we can learn from Horror; exploding the values underpinning basic social institutions like the family or questioning the food we eat (Texas Chainsaw Massacre), colonialist violence and the genocides perpetrated in the name of civilization (Cannibal Holocaust), and the mixture of pain and pleasure Lacan called jouissance (Martyrs). These issues will find a theoretical site by combining insights derived from Jean-Luc Nancy’s posthumous book Cruor and Touria Mignotte’s exploration of the unconscious in Cruelty, Sexuality, and the Unconscious in Psychoanalysis.”
-Jean-Michel Rabaté
Professor of English and Comparative Literature at the University of Pennsylvania, co-editor of the Journal of Modern Literature, and co-founder of Slought Foundation in Philadelphia. Since 2008, he has been a Fellow of the American Academy of Arts and Sciences. He has authored or edited over fifty books on modernism, psychoanalysis, philosophy and literary theory.
CAVEA
900 Auraria Pkwy, Room 420
2:00pm, March 7th, 2024
Generative AI and the Future of Film: Screening and Conversation with Trailblazing Director Paul Trillo
“…Thank You for Not Answering is an evocation of loneliness and isolation. A reedy voice-over from an A.I.-generated vocal model trained on Harry Dean Stanton’s voice reads a script written by acclaimed director Paul Trillo, a voice mail on an answering machine, mourning the loss of possibilities and memories, perhaps of the ruins of a relationship. Set over a cascade of A.I. imagery: flashes of flooding subway cars, phone booths in the desert, elegantly dressed people at parties, and apartments lit up at night, the vibe is part Edward Hopper, part David Lynch. “One day, the entirety of our lives will be at our backs and the what-if of it all will still haunt me…”
Join acclaimed director Paul Trillo and Dr. Adam Graves for a discussion on Artificial Intelligence and the future of film after the screening.
Click here to catch the film trailer, and read more in the New Yorker here.
Online Event – Visit Live.Dphi.org to join!
March 25th, 2024
12:30pm
‘IMPROMPTU’ PERFORMANCES
Join us for performances of Romeo and Juliet and A Midsummer Night’s Dream during Spring Fling!
Tivoli Bandstand
11am and 1pm
April 17th, 2024
Sponsored by the Denver Center for Performing Arts
Click here to add this event to your calendar!
‘OFFBEAT’ ART TOURS
Untitled is a one-night opportunity to give a platform to local creatives and scholars, connect them with Denver Art Museum visitors, and highlight diverse perspectives of DAM exhibitions. Join Drs. Craig Svonkin and Becky Vardebedian in a museum tour from the perspectives of literature and philosophy respectively, and catch other tours from other local artists and scholars throughout the evening. You can find full details on the other tours of the night here!
Denver Art Museum
6-10pm
April 26th, 2024
Limited free tickets are available! RSVP Here!
Sponsored by the Denver Art Museum
Navigating the Future of Thought, Expression, and Pedagogy
Join a thought-provoking roundtable discussion to explore the implications of artificial intelligence on teaching the humanities, with insights from a diverse panel of professors:
Katia Campbell, Associate Dean, College of Letters, Arts & Sciences
Shawn Meek, Communication Arts
Kate Schmidt, Philosophy
John Rief, Communication Studies
Jessica Parker, English
Shaun Schafer, Journalism
Katia Campbell, Associate Dean, College of Letters, Arts & Sciences
John Masserini, Dean, College of Letters, Arts & Sciences
2:00pm, November 21, 2024
Jordan Student Success Building, Room 400
Special thanks to Drs. Todd Laugen and Samuel Jayfor this event!
A rare look into a 1400-year-old Buddhist woodcarving tradition and the practitioners struggling to preserve its legacy in a rapidly changing Japan. Join a conversation with director Yujiro Seki on the intersection of religion, art, and documentary filmmaking.
11/25/24 – Contact [email protected] if you would like to arrange a screening and discussion for your group.
FILM SCREENING AND LECTURE
Sulgi Lie (University of the Arts Berlin) – Das lächerliche Ernste (The Ridiculously Serious)
March 1st, 2023 – 6:30pm
SIE Film Center
Hong Sang-soo turns his back on comedy in this ‘trilogy’ with Kim Minhee. His interest has shifted from masculine to feminine and from comedy to melodrama. Patriarchal society and female suffering are explicit but “Grass” is not a narrowing of gender and genre; it articulates an existentially relevant topos– Death.
See a trailer and more here.
While reservations are not required, we ask that you do use this form to RSVP beforehand so we can guarantee you a seat in the case of a full theater.
*Tickets are free for guests of Dphi. Find us at the check-in counter on the day of the show!*
ECLECTIC PRESENTATIONS
Big Ideas. Wine. Cheese. And ‘MORE’
March 2nd, 2023 – 6:30-8:00pm
Tivoli Adirondacks (Room 440)
Come for a night of discussion, wine, & cheese. We’ll be covering a wide range of topics, related to the theme ‘More?’, from water scarcity in the West and increasing data-driven surveillance technology in everyday life, to the theory of “emergence” in light of developments in Artificial Intelligence.
After all, we live in an era of more-ness: companies want more data, governments seek more control, and everyone seems to need more water!
The conversations will be guided by scholars from across disciplines, including philosophy, history and modern languages, and MORE…
This event is free and open to the public so there is no RSVP required, but they do help us a lot with planning!
Co-Sponsored by the Alliance Française Denver, Consulat Général de France à Los Angeles, and Villa Albertine
LIVE VIRTUAL PANEL Q&A
Share your questions with philosophers, computer scientists, and ChatGPT itself.
March 8th, 2:00-3:15pm
ChatGPT was launched as a prototype on November 30, 2022, and quickly garnered attention for its detailed responses and articulate answers across many domains of knowledge. What questions does this ‘artificial intelligence’ raise when it comes to conceptions of creativity, consciousness, and understanding? Log in and chat with experts in Computer Science and Philosophy. ChatGPT will also join the panel to answer your questions for itself.
To join this event, visit LIVE.DPHI.ORG
“Aristotle: Ecology, Agriculture, and Sustainability”
PANEL DISCUSSION
April 12th, 2:00pm
CAVEA (JSSB Room 420)
In 1950, Enrico Fermi initiated a series of informal discussions among his Los Alamos colleagues as to the ubiquity of extra-terrestrial life and the probabilities of contact with alien civilizations. He famously asked, “Where are they?” citing the lack of any physical evidence for extra-terrestrial life, and hence the scientific paradox which still carries his name.
“Are we alone in the Universe?” is arguably one of the oldest and perhaps most universal questions ever asked. Join us and a panel of interdisciplinary experts as they dissect the question of where the extraterrestrial intelligence is and the philosophic and scientific implications the answers to that question have for human life on earth.
Join us for a discussion with SETI Institute (Search for Extraterrestrial Intelligence) Affiliate and Philosopher of Science Carol Cleland, Astrophysicist & Planetary Scientist Kamran Sahami, and Rhetorician & Religious Studies researcher Roger Green
Co-Sponsored by MSU Denver Honors Program
PANEL DISCUSSION
Explore the intersection of Punk Music, Politics, and Community. 80s/early 90s DC hardcore, selective service, the Revolution Summer, and a coda on toxic masculinity in punk.
April 13th, 6:00pm
Mutiny Information Café (2 S Broadway, Denver, CO 80209)
Roy Cook
Abe Brennan
Sean Morris
CRITICAL DIALOGUE PANEL DISCUSSION
How can universities better support Indigenous students through curriculum and programming?
April 20th, 1:00pm
CAVEA (JSSB 420)
Laurie Arnold
Michelle Villegas-Frazier
Karen Driver
VISIT LIVE.DPHI.ORG TO JOIN
Co-Sponsored by MSU Denver History
WHEN | Thursday, May 4, 2023, 5 – 10pm |
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WHERE | Chambers Grant Salon at the Ellie Caulkins Opera House inside the Denver Performing Arts Complex |
CONTACT NAME | Ting Jiang |
CONTACT EMAIL | [email protected] |
EVENT TYPES | Arts & Cultural |
AUDIENCE | Current Students, Faculty Members, Prospective Students, Staff Members |
EVENT SPONSOR | College of Letters, Arts, and Sciences, Other |
EVENT DETAILS |
This May, Opera Colorado presents Puccini’s Turandot, one of opera’s biggest blockbusters. For all Turandot’s popularity, this opera, set in a fabricated version of ancient China, has been scrutinized for problematic representations of Asian culture. Come join us for a discussion with director Aria Umezawa about Turandot, Asian representation, and what it means to present an opera like Turandot in 2023. Aria will also share information about her career as a director, producer, writer, and advocate for diversity, equity, and inclusion. A reception with food and drink will follow, and all attendees are invited to attend the final dress rehearsal of Turandot that evening (all FREE). RSVP for your spot! |
FILM SCREENING AND DISCUSSION
Blood Quantum is an award-winning 2019 Canadian horror film that depicts the effects of a zombie uprising on a First Nations reserve whose residents are immune to contracting the plague because of their indigenous heritage, but must still cope with the consequences of its effects on the world around them, including white refugees seeking shelter on the reserve.
University professors will lead a discussion on the topic of Tribal Sovereignty following the film screening. Refreshments will be available!
JSSB CAVEA (890 Auraria Pkwy) Room 420
Wednesday, September 6th – 3pm
PANEL AND DISCUSSION
What is Tribal Sovereignty, and why is it important when building Native programing in higher education?
Join Nora Pulskamp (Director, Native Student Programs at University of Redlands) and Heather Torres (Director, the Tribal Law and Policy Institute) for this discussion.
JSSB (890 Auraria Pkwy) Room 400
Wednesday, September 13th – 11:30am
LIVE PERFORMANCE AND DISCUSSION
A free live performance of Macbeth, followed by a discussion with the directors, cast, and university professors.
Monday, September 25th – 11am
Tivoli Bandstand (900 Auraria Pkwy, outside the southeast corner)
LECTURE AND Q&A
Vivek Chibber is an academic, social theorist, editor, and professor of sociology at New York University, who has published widely on development, social theory, and politics. Chibber is the author of The Class Matrix: Social Theory after the Cultural Turn and Confronting Capitalism. Dr. Chibber will discuss how and why the category of class has been eclipsed by other forms of ‘identity’ in American political discussions.
“A lucid and compelling account of the essential nature of capitalism, and how its shackles can be removed by a revived labor movement animated by a commitment to solidarity and the common good.”
—Noam Chomsky
Thursday, September 28th – 11am
Tivoli Turnhalle
(900 Auraria Pkwy) Room 250
Click Here to add this event to your calendar!
VIRTUAL PARTICIPATION IS AVAILABLE FOR THIS EVENT!
PANEL AND DISCUSSION
Join Dr. Kate Schmidt (Philosophy) Dr. Judith Strathearn (Africana Studies, Gender and Womens’ Studies, Literature), and Dr. Craig Svonkin (English) to discuss our favorite banned books and the topic of censorship.
Wednesday, October 4th – 11am
St. Cajetan’s (101 Lawrence Way)
Click Here to add this event to your calendar!
VIRTUAL PARTICIPATION IS AVAILABLE FOR THIS EVENT!
FILM SCREENING AND DISCUSSION
Scenes from a marital breakdown between a screenwriter and his wife, as both become enmeshed in the behind-the-camera struggles of a director and producer as they film an adaptation of Homer’s The Odyssey.
Restored and digitized in 4K from the original 35mm negative.
About the guest lecturer:
Jean-François Duclos is professor of French at MSU Denver. As part of his current research on surveillance, he studies tailing scenes, also called following scenes, from various works of fiction.
Tuesday, October 24th – 6:30pm
SIE Film Center (2510 E Colfax Ave)
Click Here to add this event to your calendar!
Free to Auraria Campus students, faculty, and staff. Just email [email protected] to reserve a ticket!
FILM SCREENING AND DISCUSSION
Scenes from a marital breakdown between a screenwriter and his wife, as both become enmeshed in the behind-the-camera struggles of a director and producer as they film an adaptation of Homer’s The Odyssey.
Restored and digitized in 4K from the original 35mm negative.
About the guest lecturer:
Jean-François Duclos is professor of French at MSU Denver. As part of his current research on surveillance, he studies tailing scenes, also called following scenes, from various works of fiction.
Tuesday, October 24th – 6:30pm
SIE Film Center (2510 E Colfax Ave)
Click Here to add this event to your calendar!
Free to Auraria Campus students, faculty, and staff. Just email [email protected] to reserve a ticket!
SCREENING, LUNCH, AND DISCUSSION
Monday, November 6th – 12:15pm
Student Success Building, Room 400
Co-Sponsored by the MSU Denver 1Book/1Project/2Transform
AUTHOR TALK
George M. Johnson is an Award-Winning Black Non-Binary writer, author, and activist located in the NYC area.
They are the author of the New York Times Bestselling Young Adult Memoir All Boys Aren’t Blue discussing their adolescence growing up as a young Black Queer person in New Jersey through a series of powerful essays. The book is a Teen Vogue Recommended Read, a Buzzfeed Recommended Read, a People Magazine Best Book of the Summer, a New York Library Best Book, and a Chicago Public Library Best Book. All Boys Aren’t Blue is also the second most banned book in the U.S. for 2023, according to the American Library Association.
—
Tuesday, November 7th – 11:00am
Tivoli Turnhalle (Room 250) 900 Auraria Pkwy
Click Here to add this event to your calendar!
Sponsored by the MSU Denver 1Book/1Project/2Transform
FILM SCREENING AND DISCUSSION
The most ambitious film ever directed by William Friedkin (The French Connection, The Exorcist), SORCERER is often considered the last great masterpiece of the 1970’s, but its initial release was overshadowed by Star Wars, which hit screens around the same time. A loose adaptation of the French novel The Wages of Fear, SOCERER follows four desperate men who join forces to transport highly explosive cargo through a godforsaken Colombian rain forest. A gritty, existential thriller, SOCERER raises universal questions about the nature of fate while also reflecting the sense nihilism that marked this era of American life. Rediscover this once forgotten masterpiece with scholars from D-phi (Denver Project for Humanistic Inquiry). The screening will be followed by a Q&A.
Hosts/Speakers:
Marshall Smith (Sociology, PhD, co-host of the film podcast, Collective Nightmares)
Adam J. Graves (Philosophy, PhD, and director of Dphi)
Thursday, November 9th – 6:45pm
SIE Film Center (2510 E Colfax Ave)
Click here to add this event to your calendar!
Click here for the full Denver Film Festival Guide!
Free to Auraria Campus students, faculty, and staff. Just email [email protected] to reserve a ticket!
A conversation with authors Jenny Elder Moke and Samantha Cohoe about the craft and business of writing, from that shiny new idea to seeing your book on shelves for the first time. The authors will discuss their recent novels, and will share key steps in their process that are essential to starting the journey, staying on the path through the murky middle, and celebrating hard-earned publishing victories.
Jenny is the author of CURSE OF THE SPECTER QUEEN, a gender-bent Indiana Jones-style YA historical adventure, it’s sequel RISE OF THE SNAKE GODDESS (forthcoming 6/22) and HOOD, A Robin Hood retelling about the Prince of Theives’s daughter (Disney/HYPERION). Samantha is the author of BRIGHT RUINED THINGS, a YA historical fantasy about a rich magical family with secrets their young ward uncovers one dangerous night, and A GOLDEN FURY, about a teenaged alchemist fleeing the French Revolution on the verge of creating the Philosopher’s Stone. (Wednesday Books/Macmillan)Thursday, February 17th
5:30pm – Panel:
1101 13th Street, Denver, CO 80204 (in room Studio 1 on the third floor)
7:00pm – Performance:
Singleton Theater, at the Denver Center for Performing Arts
“Albee, Absurdism, and Adaptation in Who’s Afraid of Virginia Woolf”: Performance and Panel Discussion at the Denver Center for Performing Arts
Panelists include Profs. Rebecca Gorman, Cristina Bejan, and Tish Richard, as well as Sam Wood from DCPA.
This show is currently sold out! If you have already reserved a ticket, it will only be available for pickup at the beginning of the panel discussion. However, if you have not reserved a ticket, there’s still a good chance that we will have one available for you. We will be distributing unclaimed tickets on a first-come, first-served basis at the panel discussion.
Note: Please see the DCPA vaccination and mask requirements here. These apply both to the panel discussion and the performance
February 3rd, 10-11:30AM (online)
Professor Caleb Cohoe will discuss Aristotle’s psychology and philosophy of mind with a panel of international experts who have contributed to his newly released book, Aristotle’s On the Soul: A Critical Guide (Cambridge University Press, January 2022). In this work Aristotle aims to uncover the principle of life, what Aristotle calls psuchē (soul). For Aristotle, soul is the form which gives life to a body and causes all its living activities, from breathing to thinking. Aristotle develops a general account of all types of living through examining soul’s causal powers. The thirteen new essays in this Critical Guide demonstrate the profound influence of Aristotle’s inquiry on biology, psychology and philosophy of mind from antiquity to the present. Panelists will share their insights on key Aristotelian topics such as form, reason, capacity, and activity and situate Aristotle in his intellectual and scientific context.
Featuring…
Jason W. Carter (Ludwig Maximilian University of Munich)
Christopher Frey (University of South Carolina)
Katerina Ierodiakonou (University of Geneva and University of Athens)
Mark Johnstone (McMaster University)
Jessica Moss (New York University)
Krisanna Scheiter (Union College)
Michael Haneke has been called “one of contemporary cinema’s most provocative and incisive filmmakers” (MoMA). His work reveals aspects of alienation and the uncanny in modern European life, shining a light on the marginalized and exposing the contradicts and self-deceptions of bourgeois society. Haneke raises persistent questions about the nature of evil, innocence, and collective guilt. But he is bold enough to leave those questions wholly unanswered and to leave his audience feeling unsettled and out-of-joint. Ultimately, these films disclose uncomfortable truths—challenging us to see ourselves as we really are, rather than as we take ourselves to be.
This retrospective presents some of Haneke’s most highly acclaimed and thought-provoking films. Each film will be introduced and contextualized by scholars from a variety of MSU Denver departments—including philosophy, political science, film studies, modern language, and literature.
Special guests include:
Jean-François (Associate Professor of French Literature)
Sheila Rucki (Professor of Political Science)
Vincent Piturro (Professor of Film and Media Studies)
Craig Svonkin (Professor of English Literature)
Hosted by Adam J. Graves (Professor of Philosophy, and Director of the Denver Project for Humanistic Inquiry at MSU Denver)
April 4: CODE UNKNOWN
April 11: CACHE
April 18: WHITE RIBBON
April 25: THE PIANO TEACHER
All shows begin at 7:00pm
SIE Film Center – 2510 East Colfax Ave, Denver, CO 80206
Free tickets for members of the MSU Denver Community! No need to reserve tickets, just show up 15 minutes before the event and we’ll purchase one for you!
Monday April 25, 2022, 3:30 pm
Jordan Student Success Building room 420
In 1950, Enrico Fermi initiated a series of informal discussions among his Los Alamos colleagues as to the ubiquity of extra-terrestrial life and the probabilities of contact with alien civilizations. He famously asked, “Where are they?” citing the lack of any physical evidence for extra-terrestrial life, and hence the scientific paradox which still carries his name.
“Are we alone in the Universe?” is arguably one of the oldest and perhaps most universal questions ever asked. Join us and a panel of interdisciplinary experts as they dissect the question of where the extraterrestrial intelligence is and the philosophic and scientific implications the answers to that question have for human life on earth. Experts from CU Boulder, MSU Denver, and the Denver Museum of Nature and Science, will be here with us.
You will not want to miss this discussion it is sure to be out of this world!
Expert Guests include:
Carol E. Cleland Ph.D. (Department of Philosophy, CU Boulder) Professor of Philosophy Director, Center for the Study of Origins; SETI Institute Affiliate
Research interests and expertise lie in the areas of Philosophy of Science, Philosophy of Logic, Metaphysics, philosophy of biology, causation, and space and time.
Ka Chun Yu Ph.D. (Denver Museum of Nature and Science) Assistant Curator of Space Science Research focus and expertise in observational star formation, outflows from protostars, properties of young stellar clusters, and creating planetarium and data visualizations of the known universe.
Kamran Sahami Ph.D. (Physics Department, MSU Denver) Professor of Physics; Planetary and Space Science
Research interests and expertise include Non-Linear Systems, General Relativity, Electro-optics and Physics, and Astronomy Education.
Roger Green Ph.D. (English Department, MSU Denver) Senior Lecturer of English; Film and Media Studies; Literature; Music; Rhetoric
Roger finished his second Ph.D. in Religious Studies & Theology. Areas of research and expertise dive into Political Theology, Literature, Literary Theory, Aesthetics, Ethics, and Composition.
Public consciousness regarding the Holocaust and other genocides has reached a critical juncture in American society. A recent survey on Holocaust awareness revealed a fundamental lack of knowledge about the Holocaust among 18 to 39-year-old Americans. At the same time, incidents of Holocaust denials, anti-Semitism, racialized violence, and significant ignorance and disregard for the Genocide visited upon Indigenous communities persist in public discourse. With the regular and troubling misuse of historical comparisons by public officials and a newly invigorated ideologically driven attack on public education, we have reached a critical moment.
Click here for more information on the conference!
Like all of our events, this event is free and open to all.
“For if anyone should come to the top of the atmosphere or should get wings and fly up, he could lift his head above it and see, as fishes lift their heads out of the water, so he would see things in that upper world; and, if his nature were strong enough to bear the sight, he would recognize that that is the real heaven.” -Plato
Across civilizations and over millennia, humans have viewed the sky with admiration and wonder. The sky has not only inspired curiosity about the nature of reality but has also served as a mirror for reflecting upon the human condition and our place within the universe. Drawing upon the expertise of an interdisciplinary group of scholars and scientists, “How I view the skies” will explore the fascinating and varied relationships humans have had and continue to have with the sky. Join Dr. Erica Ellingson, Dr. Scott Landholt, and Dr. Adam Graves for a discussion this discussion in archeoastronomy, astrophysics, cosmology, photography, meteorology, history of science, and philosophy.
“Two things fill the mind with ever new and increasing admiration and awe, the more often and steadily we reflect upon them: the starry heavens above me and the moral law within me.” Across cultures and millennia, humans have viewed the sky in wonder and awe and inspiration and curiosity.” -Immanuel Kant
November 9th @ 9:30 am JSSB Room 440 in the CAVEA
This event is free and open to all.
This event is open to the public, and free for Auraria Campus-Affiliated attendees, just email [email protected] to RSVP!
Joion us for two film screenings with the Denver Film Festival! Come watch the films, then take part in a conversation with directors and/or experts on the film!
We offer free tickets for all students, as well as MSU Denver faculty and staff. Faculty are welcomed to invite their classes! Just email [email protected] to reserve your tickets.
Monday, Nov. 8th at 7:00pm AMC 9+CO
(826 Albion St, Denver, CO 80220)
Winner of the Œil d’or award for best documentary at Cannes, Payal Kapadia’s oneiric first feature, A NIGHT OF KNOWING NOTHING, fuses an intensely personal mediation on love and isolation with social reflections on caste and contemporary Indian politics. D-phi has assembled a group of scholars to help us unpack the multiple layers of this intriguing breakthrough film.
Panelists:
Dheepa Sundaram, Religious Studies, University of Denver
Vijay Mascarenhas, Philosophy, MSU Denver
Vincent Piturro, Film and Media Studies, MSU Denver
Adam J. Graves, Philosophy, MSU Denver
Wednesday Nov. 10th at 7:00pm AMC 9+CO
(826 Albion St, Denver, CO 80220)
AHED’S KNEE, the fourth film from the Israeli firebrand director Nadav Lapid (SYNONYMS), offers an unflinching rumination on the moral challenges of creating art amidst complex political turmoil. Join D-phi for a lively discussion of this powerful, politically-charged film.
Panelists:
Alex Boodrookas, History, MSU Denver
Andrea Stanton, Islamic Studies, University of Denver
David Fine, General Counsel, MSU Denver
Adam J. Graves, Philosophy, MSU Denver
Time and again we are told that we are experiencing something entirely new with Covid-19, and it certainly feels that way. Yet for nearly the entirety of human history, up until the last century, infectious diseases were our primary killers. Epidemics regularly ravaged populations, and the sickness, death, grief and dislocation they bring are nothing new. Our panel of scholars will discuss how societies around the world—and close to home—were affected by and coped with the sudden onset of devastating diseases, ranging from Bubonic plague to HIV. Join us and bring your questions for the panel at this first virtual D-phi event!
Moderated by Kimberly Klimek
Panelists (in order of presentation):
Dr. Stephen Leonard (History)
“The 1918-19 Flu Pandemic in Denver and Colorado”
Dr. Adriana Nieto (Chicana/o Studies)
“Pandemic and Its Impact Across US-Mexico Borderlands: A family History”
Dr. Matthew Makley (History)
“The Speckled Monster in North America: Smallpox and Demographic Disaster Among Native Populations”
Dr. Brian Weiser (History)
“Science, Religion, and Social Distancing in 17th Century Europe”
Dr. Katherine Miller (Gender, Women, and Sexualities Studies)
“The HIV Pandemic in India: A Gendered Examination.”
The live stream is free and open to the public. Viewers will be encouraged to submit questions before the event, and in real time via text message for the Q&A following the panel. QUESTION LINE – 314-INQUIRY (314-467-8479)
This event will be a combined panel discussion and documentary screening. The documentary, Arc of Justice, is approximately 25 minutes long. There will be two panels- one to speak before the documentary, and one after. The first panel consists of experts who will speak to the history of housing discrimination and displacement in the Denver area and its subsequent effects on the current market. The CLT model will then be briefly introduced, providing a transition to the documentary screening. The second panel will consist of representatives from Denver-area CLTs to give an overview of current efforts.
Don’t miss this unique opportunity to view Pixar shorts from the last 30 years on the big screen, from Luxo Jr. (1986) to Bao (2018). Explore the evolution of Pixar films with Dr. Craig Svonkin, associate professor of English, Metropolitan State University of Denver. Svonkin will look at the technological advances and social and cultural changes that have shaped these innovative films.
Panelists:
James Reid, Professor of Philosophy, MSU Denver
Paul Blaschko, Assistant Director at the Notre Dame Institute for Advanced Study and Mellon Postdoctoral Fellow
Sarah Pessin, Interfaith Chair and Professor of Philosophy & Jewish Thought, University of Denver
Chair:
Caleb Cohoe, Associate Professor of Philosophy, MSU Denver and Lead Faculty Advisor, Mellon Philosophy as a Way of Life Project
We regret that Prof. Critchley’s lecture has been canceled due to illness. We are working to reschedule his talk, so please stay tuned. Our sincere apologies for any inconveniences..
Due to illness, this screening will be introduced by local philosophers, rather than Dr. Critchley.
The Thin Red Line follows the events surrounding the battle for Guadalcanal in November 1942, as the US Army fought its bloody way north across the islands of the South Pacific against ferocious Japanese resistance. It is war film. “But,” Critchley says “it is a war film in the same way that Homer’s Iliad is a war poem. The viewer seeking verisimilitude and documentation of historical fact will be disappointed. Rather, Malick’s movie is a story of what we might call ‘heroic fact’: of death, of fate, of pointed and pointless sacrifice. Finally, it is a tale of love, both erotic love and, more importantly, the love of compassion whose cradle is military combat and whose greatest fear is dishonor […] The ambition of The Thin Red Line is unapologetically epic, the scale is not historical but mythical, and the language is lyrical, even at times metaphysical.”
February 13th
Join Dr. Adam Graves and Dr. Boram Jeong for a live lecture and discussion on the films of South Korean filmmaker Hong Sangsoo
Discussion is LIVE Thursday, July 9 at 7pm MST!
See Sangsoo’s films on the SIE Film Center Stream before the talk!
Limited free tickets are available– email [email protected] to request yours!
Film links and descriptions below:
YOURSELF AND YOURS – https://bit.ly/3fTbbWz
HILL OF FREEDOM – https://bit.ly/2CDlAHH
WOMAN ON THE BEACH – https://bit.ly/2B9rkIC
South Korean director Sang-soo Hong has an idiosyncratic style that is so hard to pin down that American critics have compared him to both Woody Allen and Eric Rohmer—two filmmakers who arguably have little in common aside from their mutual obsession with the mysteries of amorous relationships. Sang-soo’s films also revel in their own intimate and incredibly honest explorations of human desire, the contingencies of love and the mishaps of mutual misunderstanding. As critic Nicolas Rapold writes, Sang-soo is “a chronicler of the human condition and the pleasures and pitfalls of attraction.” ( https://www.nytimes.com/2017/05/17/arts/hong-sang-soo-films-at-cannes.html ).
But what sets Sangsoo apart from some other chroniclers of the human condition is his profound recognition that the challenges which threaten human happiness often have less to do with uncontrollable external circumstances than with one’s own internal and often unpredictable desires; and that the greatest obstacles to human relationships stem from within, from one’s capacity to be surprised and even caught off guard by oneself.
Sang-soo Hong, one of most distinctive and prolific filmmakers of the past several decades, is well-known to international film festival goers. But due to a general lack of distribution, his fascinating body of film remains a vast and unexplored terrain for most American audiences. Sie Film offers viewers a rare chance to experience a range of his work, and to explore its rich and complex themes of desire, contingency, and miscommunication with two philosopher, Boram Jeong (Assistant Professor, CU Denver) and Adam Graves (Professor, MSU Denver).
SU Denver faculty from Linguistics, Modern Languages, Philosophy, English and Anthropology will be discussing the problems and pleasures associated with living in a multilingual world. Come and explore the theoretical and practical dimensions of linguistic diversity.
11.12.2020 – 11:00am
Marc Lamont Hill draws from the life and legacy of John Lewis in order to examine the possibilities of progressive politics in the post-Trump era. He offers concrete tools for building community, forging bonds of global solidarity and dismantling oppressive systems.
Presented by the Office of the President, Office of Diversity and Inclusion and the Denver Project for Humanistic Inquiry (D-phi), and co-sponsored by the University’s Department of Africana Studies, Department of History and Department of Political Science
Wednesday, Nov. 18 | 4-5 p.m. MST
Our word for poetry derives from the Greek term “poiesis,” which once enjoyed a much broader meaning than it does today. In Plato’s Symposium, Socrates says that anything “responsible for creating something out of nothing is a kind of poiesis(poetry).”
D-phi’s “Poiesis Oasis” is an online space where we can forge a sense of creative community virtually (or “out of nothing,” so to speak), an interactive place where art and poetry become vehicles for exploring ideas, sharing inspiration and overcoming a sense of isolation via the written and spoken word.
We invite any and all members of the Denver community to participate. All you have to do is:
(1) Record yourself reading a few lines from a favorite poem using your phone (videos must be less than 60 seconds long)
(2) Direct message your video or audio recording to our Instagram (@dphidenver) or Facebook (@dphidenver)
(3) Explain briefly in your message why you selected the poem, or what it means to you, or how it’s helped you find inspiration in a time of social isolation (or anything else you’d like to say about it). Remember to Include the author and title of the poem!
We will then share your video and your interpretation of it on our Instagram page, DphiDenver, with the hashtags #PoiesisOasis, #CheckingIn, and #DphiDenver.
Together, we hope to generate an oasis of words and ideas, from which we can all draw some much-needed inspiration, insight, and a sense collective creativity.
The Poesis Oasis begins 11.1.2020 – Cosponsored by RedLine Arts Center
Cosponsored by Sie Film Center – Email [email protected] to RSVP free virtual tickets
11.19.20 – 6:00pm
Liyana is an award winning and genre-defying documentary that tells the story of five children in the Kingdom of Eswatini who turn past trauma into an original fable. Liyana won the award for Best Documenary at the LA Film Festival and has a 100% rating on Rotten Tomatoes.
Interdisciplinary Art tours at the Denver Art Museum’s Untitled Event
Tours are offered periodically throughout the evening, led by philosophers Vijay Mascarenhas and Adam Graves.
Cristina A. Bejan is a historian, theatre artist and poet based in Denver, Colorado. An Oxford DPhil and Rhodes and Fulbright scholar, Bejan’s newest book “Intellectuals and Fascism in Interwar Romania” will be released this November. Join Dphi, Dr. Bejan, and Dr. Adam Graves for the launch!
Gabriel Mascaro’ brilliant disco-dystopian drama, Divine Love, depicts a future consumed by an uncanny mixture of piety, eroticism and surveillance-state politics. Join a group of scholars—from philosophers to political scientists—as they explore the relationship between religion, politics, sex and the sacred in Mascaro’s provocative new film.
Nietzsche famously asked his readers how they would conduct themselves if they knew their lives were going to be eternally repeated. In his second feature film, Oskar Alegría’s asks his audience to consider whether repetition is even possible, as he tries to repeat the past by returning once again to the site of his childhood memories. Join a group of philosophers for a stimulating discussion of Zumiriki and the questions it raises about the nature of time, memory, past and place.
Film Screening and Discussion
This Symposium includes lectures and panels featuring scholars from MSU Denver, the University of Denver, University of Colorado, Boulder. Keynote by Regina Rini, Canada Research Chair in Philosophy of Moral and Social Cognition at York University, and the 2018 winner of the Marc Sanders Foundation Public Philosophy Award.
(This event is free and open to the public)
Panel Discussion featuring Chris Coleman (Artistic Director of Denver Center Theatre Company), Brian Hutchinson (Chair of Philosophy at MSU Denver), Vicki J. Grove (Senior Instructor, Russian Program, University of Colorado, Boulder), Greg Ormiston (Professor of Russian, University of Denver), and Joslyn Green (Lighthouse Writers Workshop), followed by a performance of Anna Karenina.
(Free tickets available to students- email [email protected]. General admission starting at $30 available here)
Stanley Cavell (1926-2018) was one of the most celebrated American philosophers of the past century. Outside of the academy, he was perhaps best know for his insightful interpretation of Hollywood classics, which had profound impact upon our understanding of the significance of film. This screening of one of his favorite screwball comedies, The Lady Eve, will be followed by a discussion with his four most accomplished students and friends.
Chair:
Timothy Gould (Metropolitan State University of Denver)
Panelists:
Richard Eldridge (Swarthmore College)
Michael Fischer (Trinity University)
Katalin Makkai (Bard College Berlin)
Marion Keane (Independent Scholar)
(Free tickets are available for students- email [email protected] for more. General admission available here)
The “Peas and Carrots” series is light-hearted talk show-style event focusing on themes related to current Buntport productions, featuring music and interviews with D-phi scholars.
The Rembrandt Room is a dark comedy featuring one woman standing next to one masterpiece for who knows how long. Buntport’s first ever one-person show, this play is a mash-up of historical fact, Greek myth, and Buntport fiction.
(Free tickets are available for students- email [email protected] for more. General admission available here)
This panel will feature an international group of leading experts on Aristotle and his philosophy discussing the legacy and relevance of Aristotle’s views on biology, human nature, and life processes.
Panelists include:
Klaus Corcliius, Chair of Ancient Philosophy at University of Tübingen, Germany
Christopher Frey, Associate Professor of Philosophy at University of South Carolina
Rachel Parsons, Assistant Professor of Philosophy at Louisiana State University
(This event is free and open to the public)
Keynote Lecture by Carol Cleland, Director of the Center for the Study of Origins and Full Professor in the Department of philosophy at the University of Colorado Boulder. Cosponsored by MSU Denver’s Undergraduate Research Conference.
(This event is free and open to the public)
Celebrate the Tony Award-nominated play “that deeply touches so much rich emotion about history and the theater, anti-Semitism, homophobia, censorship, world wars, red-baiting and, oh, yes, joyful human passion” (Newsday). Evoking the Jewish experience through traditional songs and dancing, this stirring production will leave you with a deeper appreciation for the art and experiences we often take for granted.
Pulitzer-winning playwright Paula Vogel tells the emotional true story of Sholem Asch’s groundbreaking play, The God of Vengeance, and the passionate artists who risked everything to share it. Many European productions of the provocative Yiddish story were highly successful in the early 1900s – even with a same-sex romance at its center. But when its Broadway debut was deemed “indecent,” it begged the question of who gets to decide what is considered art and what deserves to be censored. Follow the explosive tale through scandals, war and rewrites as a defiant, dedicated few refused to let it be silenced.
Join us for a topical panel discussion with academic leaders that explores the themes and issues of Indecent, followed by a performance of the play.
Speakers include:
Douglas Langworthy, DCPA’s Director of New Plays
Cristina A. Bejan, Historian and Theatre Artist
Anahi Russo Garrido, Professor of Gender Studies
Carrie Colton, Professor of Theatre
A discussion with members of the German Marshall Fund, and two European Ambassadors to the U.S., Italian Ambassador Armando Varricchio and Slovak Ambassador Ivan Korcok
Carly Leonard, a Neuroscientist at CU Denver, joins the cast at the Buntport theater for a post-performance conversation about the challenges of finding meaning in our increasingly techno-centric world.
The Denver Project for Humanistic Inquiry is excited to host one of the most distinguished philosophers and public intellectuals of our time, Martha Nussbaum.
In recognition of her prolific work in in areas including ancient philosophy, political philosophy, feminism, ethics, and animal rights, Martha Nussbaum was awarded the Kyoto Prize in 2016, and delivered the prestigious Jefferson Lecture in 2017. In addition to a multitude of other awards, Nussbaum has honorary degrees from over 60 universities around the world.
Martha Nussbaum will lecture on themes from her newest work, The Monarchy of Fear. The book, a thorough examination of the current political crisis, focuses on what so many pollsters and pundits have overlooked, a truth at the heart of the problem- the political is always emotional.
Co-sponsored by the MSU Denver History Department (With additional support from MSU Denver’s Office of Sponsored Research & Programs)
You can ask your questions over livestream by commenting on this post (requires Facebook account)
James Reid is Associate Professor of Philosophy at MSU Denver. His research is interdisciplinary, drawing from philosophical, scientific, and literary sources, and is devoted to problems in the theory of meaning, value, and significance, and finding appropriate ways of talking about the importance of what we care about.
Above: A full recording of Drs. Gallagher and Kearney’s striking presentation
A one-day only stunning multimedia performance of philosophy, art, and healing. The performance touched on themes of visual art and stories of remembrance as acts of healing.
Richard Kearney is The Charles B. Seelig Professor in Philosophy at the Boston College Philosophy Department. He is the author of over 20 books on European philosophy and literature (including two novels and a volume of poetry) and has edited or co-edited 14 more. As a public intellectual in Ireland, he was involved in drafting a number of proposals for a Northern Irish peace agreement (1983, 1993, 1995).
Sheila Gallagher is an Associate Professor of Fine Art at Boston College where she teaches courses on drawing, painting and contemporary art practice. Her work takes many forms including video, flower installations, smoke paintings and computer-aided drawing. Widely exhibited in the United States, Gallagher’s work has been shown at such venues as The Institute of Contemporary Art, The Museum of Fine Arts Boston, Dodge Gallery, NYC, and Wellesley College.
Their Twinsome Minds project (a phrase from Finnegans Wake) is a multimedia performed talk with text by Richard Kearney and moving images by Sheila Gallagher. The performance mines what is often lost behind official historical accounts and acts of commemoration, and proposes a transformative work of interpreting the past for a new generation. Their Guestbook Project promotes the power of digital storytelling as a means of healing divisions.
“Peace takes practice. Peace takes creativity. Peace takes engagement.”
The event took place at MSU’s Center for Advanced Visualization and Experiential Analysis, which boasts 180 degrees of projection screen and state of the art audio systems.
Above: Full video of Knights’ reading and the following discussion
PEN America Best Debut Short Story author Samuel Clare Knights joined D-phi for a reading of his work and a conversation about the nature of language and his linguistic inheritance.
Samuel Clare Knights was born and raised in Saginaw, Michigan. He holds a PhD in creative writing and literature from the University of Denver and an MFA from the Jack Kerouac School of Disembodied Poetics at Naropa University. He lives in Colorado and listens to the Grateful Dead every day. “The Manual Alphabet,” a beautiful story told partially in sign language, is about a hearing boy born to deaf parents. – From Catapult
James D. Reid holds a doctorate in philosophy from the University of Chicago, and is currently associate professor of philosophy at the Metropolitan State University of Denver. He has taught ethics and the history of philosophy, with special emphasis on Greek and German intellectual traditions, at Chicago, the Colorado College, the College of William and Mary, and the United States Air Force Academy. His research is interdisciplinary, drawing from philosophical, scientific, and literary sources, and is devoted to problems in the theory of meaning, value, and significance, and finding appropriate ways of talking, more richly and compellingly, about the importance of what we care about. He is currently working on several book-length projects, including a monograph on the ethical import of the philosophy of Martin Heidegger, a book on philosophical poet Novalis (forthcoming, Northwestern UP), and, with Benjamin D. Crowe (Boston University), a translation of Heidegger’s The Question Concerning the Thing (forthcoming, Rowman & Littlefield). He is the co-editor of Thoreau’s Importance for Philosophy (Fordham UP, 2012). He contributed several entries to Cambridge’s forthcoming, multi-volume Heidegger Lexicon, edited by Mark Wrathall. His book on Rilke, poetry, and philosophy, which includes a fresh translation of the Duino Elegies, was published by Northwestern University Press. Dr. Reid has also received support from the National Endowment for the Humanities.
Full video coming soon.
Above: Full video of pre-performance discussion.
To get what he wants, Macbeth will let nothing stand in his way – not the lives of others, the people of Scotland or his own well-being. As his obsession takes command of his humanity and his sanity, the death toll rises and his suspicions mount. Shakespeare’s compact, brutal tragedy kicks off the grand reopening of our theatre-in-the-round in a visceral re-imagining from director Robert O’Hara. This ambitious reinvention of the classic tale reminds us that no matter what fate is foretold, the man that chooses the dagger must suffer the consequences.
Known for his audacious artistic vision, Director Robert O’Hara is “shaking up the world, one audience at a time” (The New York Times). He has won the 2010 NAACP Award for Best Director, two Obie Awards, an Oppenheimer Award and the 2015 Lambda Literary Award for LGBT Drama. This is his first production at the DCPA.
All That Jazz is a 1979 American musical drama film directed by Bob Fosse. The screenplay, by Robert Alan Aurthur and Fosse, is a semi-autobiographical fantasy based on aspects of Fosse’s life and career as a dancer, choreographer and director. In 2001, All That Jazz was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected for preservation in the National Film Registry.
Professor Alan Sumler introduced the film, shown at the Esquire Theater. Sumler has a Ph.D. (ABD) in Classical Philology at the City University of New York Graduate Center. He teaches in the Philosophy department at MSU Denver, and the Modern Languages department at CU Denver.
Birdman, or (The Unexpected Virtue of Ignorance), a dark and audacious comedy directed by Alejandro González Iñárritu, follows the story Riggan Thomson (Michael Keaton), a washed-up Hollywood actor famous for having once played a winged superhero, who is now struggling to redeem himself on Broadway by adapting, directing and staring in his own highbrow play. Riggin’s play (that is, the play within the film) is an adaptation of Raymond Carver’s well-known short story, “What We Talk About When we Talk About Love.” But Carver’s short story is itself a modern-day retelling of the Symposium, Plato’s famous dialogue concerning the relation between love, madness, and the winged-soul’s quest for immortality. In this highly acclaimed and multi-layered film, Iñárritu brilliantly—and hilariously—weaves together timeless themes from both Carver and Plato, subverting our expectations and challenging our ordinary assumptions about the meaning of love.
Adam J. Graves, Ph.D. is an Associate Professor of Philosophy at MSU Denver, where has taught courses on ethics, phenomenology and the philosophy of film. His publications focus on questions of selfhood, the theory of interpretation and the nature of human agency.
($15 Tickets are available here. Free tickets are available for students – email [email protected] for information)
Join us for In The Margins, an exploration of the complex culture of the Indo-Caribbean diaspora led by sugar bound artist Suchitra Mattai and her sister, Sumitra Mattai. Whether you chose to engage with sugar bound through dance, discussion or both, each participant will come away with a much deeper understanding of the work on view (and maybe some impressive new dance moves). Join us to enjoy one or all of the following components of this unique event:
(This event is free and open to the public)
PITY is a fascinating, nihilistic comedy about an upper class lawyers who, after enduring a family tragedy, develops a perverse dependency upon the compassion of others. Join the Denver Project for Humanistic Inquiry’s panel of philosophers and psychologists as they try to decipher what this minimalist film tells us about the relation between happiness and suffering, the complexity of human emotions, and the perversions to which they are subject. This event was made possible by a collaboration with the Denver Film Festival.
Panelists:
Dr. Rebecca Vartabedian (Philosophy, Regis College)
Dr. Randi Smith (Psychology, MSU Denver)
Dr. James Reid (Philosophy, MSU Denver)
Dr. Vincent Piturro (Film Studies, MSU Denver)
(Moderated by Dr. Adam Graves)
As always, D-phi will secure entry for students, free of charge- email [email protected] for free tickets!
Tickets are also available for purchase here.
Conspiracy theories are nothing new, but they seem to play an increasingly prominent role in our social and political experience. So what makes conspiracy theorists tick? Why are conspiracy theories so popular in the so-called age of information? And what do they tell us about knowledge, belief, human nature and society? Come join D-phi’s expert panel of philosophers, psychologists and social scientists as they help us unpack fascinating questions raised by the timely documentary BEHIND THE CURVE. This event was made possible by a collaboration with the Denver Film Festival.
Panelists:
Dr. Karen Adkins (Philosophy, Regis College)
Dr. Bethany Fleck (Psychology, MSU Denver)
Dr. Jere Surber (Philosophy, University of Denver)
Dr. Desiré Anastasia (Sociology, MSU Denver)
Dr. Christopher Jennings (Communication, MSU Denver)
(Moderated by Dr. Adam Graves)
As always, D-phi will secure entry for students, free of charge- email [email protected] for free tickets!
Tickets are also available for purchase here.
A philosopher, a historian, a political scientist, and an English professor walk into a bar.
No, this isn’t the opening to an old joke. This is the opening to an evening of
multidisciplinary discussion of one of the oldest and most fraught of theoretical
concepts: Evil. The concept of “evil” may not mean the same thing across scholarly
disciplines, and may be a suspect term for scholars who wish to historicize and
contextualize the concepts and terms they work with. But while scholars post-Nietzsche
and post-Wittgenstein might be wary about the usefulness of a seemingly metaphysical
or universalizing concept like evil, the concept continues to play a significant
communicative, symbolic, and ethical role in the wider culture. Please join Professors
Amy E. Eckert (Political Science), Adam Graves (Philosophy), Andrea Maestrejuan
(History), and Craig Svonkin (English) for a multidisciplinary discussion of EVIL.
Above: A selection of questions from our hour with Prof. Chomsky
Noam Chomsky discussed his legacy, issues in higher education, linguistics, and philosophy.
Read more about Professor Chomsky on his website
Click here to learn more about the CAVEA, where the event took place.
A full video of the event will be available soon
One irony of our current “age of information” is that people seem to be presented with news and perspectives that only reinforce their presuppositions and views. Another is that the dawn of global communication has perhaps only served to reinforce the systematic exclusion of certain voices. Their stories often go untold and their lives are undervalued. In short, their voices are silenced. When is it our duty to speak for them and what sort of moral dilemmas does doing so raise? D-phi presented a discussion of the complicated nature of advocacy and the power of art in making other voices heard.
Musician and comic author R. Alan Brooks, documentary filmmaker Alan Dominguez, and Carol Quinn of MSU Denver’s Philosophy Department joined Cafe Cultura‘s poets Tanaya Winder, Franklin Cruz, and Alexis Vigil, with a live acoustic set by Blisss.
Above: Reconsidering the Humanities, thanks to the MSU Denver Educational Technology Center
D-phi hosted an involved Q&A with students and faculty which investigated the role of the humanities in our modern world.
Panelists included:
Zena Hitz, Professor of Philosophy at St. Johns College, Annapolis, author of The Crisis of the Intellectual Life
Arthur Fleischer, Economics Chair at MSU Denver, author of The National Collegiate Athletic Association: A Study in Cartel Behavior
Kimo Quaintance, Education Strategist at IQ Gemini, international expert on emergent technologies and disruptive innovation
Click the names to learn more.
After the performance D-phi hosted a talkback, including questions from the audience, with the cast and director of Disgraced, along with MSU Denver Chair of Political Science Dr. Robert Hazan at the Denver Center for Performing Arts.
The Esquire Theater joined us for another gripping and timely film series, each followed by an expert-led discussion on the film and its historical and literary contexts. Our panelists included Dr. Rebecca Gorman (Chair, English), Dr. Jim Aubrey (Film Studies), and Dr. Pitturro (English).
The films screened and discussed:
The Grapes of Wrath (1940)
Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb (1964)
Norma Rae (1979)
1984 (1984)
Do the Right Thing (1989)
A day-long multi-disciplinary exploration of the relationship between violence and religion, featuring a variety of national and international experts in law, political science, psychology, and religious studies.
D-phi partnered with The City of Denver, Lighthouse Writers Workshop, MSU Denver, Denver Public Library, and NEA Big Read on this discussion.
Following a screening of the film, D-phi hosted a discussion on the nature of consciousness, AI, and games, with:
Jere Surber, Professor and Chair, Department of Philosophy, University of Denver
Bruce Young, of ‘Fiery Rain of Go Stones,’ a Denver GO club
Dr. Vijay Mascarenhas, Associate Professor of Philosophy, MSU Denver
Invented in China nearly three millennia ago, Go is believed to be among the oldest board games in the world. It’s also said to have more board configurations than there are atoms in the universe. As such, Go—with its 19×19 grid—enjoys a reputation as the ultimate battleground for human versus artificial intelligence. On March 9, 2016, a seven-day tournament designed to test that premise took place in Seoul, South Korea. The Google DeepMind Challenge Match pitted a legendary Go master against an AI program—and director Greg Kohs (Song Sung Blue, DFF31) was there to capture the action. This entertaining, eye-opening documentary takes viewers from the DeepMind coding terminals in London, down the halls of Oxford and the backstreets of Bordeaux, to the site of the five-game competition in an attempt to answer the questions of our time: Where does the line between human and artificial intelligence begin and end—and what can computers teach us about ourselves?
Art imitates life in this haunting drama about an actress reeling in the aftermath of an affair with a married filmmaker: it’s based on director Hong Sang-soo’s own relationship with star Kim Minhee, which caused a media frenzy in their native South Korea. Kim won the Silver Bear for Best Actress at this year’s Berlinale for her role as Younghee, who returns to Gangneung after escaping to Hamburg in an attempt to pick up the pieces—only to find herself spending one too many late nights making one too many startling confessions.
No stranger to mining his own experience for his films, Hong (Night and Day, DFF31; see also The Day After, playing in this year’s festival) confronts his personal life with a newfound emotional directness here—drawing an incredibly raw and vulnerable performance from Kim in the process. It’s one of the more remarkable director-actor collaborations in recent cinema.
Boram Jeong, Assistant Professor of Philosophy at Univeristy of Colorado Denver
Hye Seung Chung, Associate Professor of Film and Media Studies, Colorado State University
David Scott Diffrient, Associate Professor of Film and Media Studies, Colorado State University
An expert talkback followed the performance
Philosophers Adam Graves and Sean Morris discussed the moral and aesthetic dimensions of Lean’s masterpieces.
David Lean is perhaps best known for his larger-than-life cinematography. His widescreen Technicolor spectacles, such as The Bridge on the River Kwai, contain some of film’s most iconic images—images of such monumental proportion that they tend to dwarf the characters who appear almost imperceptibly in their all-encompassing frame. He once commissioned Panavision to manufacture a custom 482mm telephoto lens, aptly known as the “Lean lens,” just to capture a single scene: Omar Sharif’s character emerging from a mirage shimmering over the vast Jafr mudflats in Lawrence of Arabia.
Films included:
Brief Encounter
Bridge on the River Kwai
Lawrence of Arabia
Each of these films tells a tale of profound unfulfillment: unconsummated love in Brief Encounter, unfulfilled duty in Kwai, and frustrated ambition in Lawrence. And each film provides a unique occasion to contemplate good and evil, virtue and vice, innocence and guilt, and to reflect upon the power of film to illuminate the nature of human existence.
Adam Graves is associate professor of philosophy at MSU Denver, specializing in phenomenology and hermeneutics (the theory of interpretation). He is currently teaching an Honors Seminar on the representation of evil in film.
Sean Morris is associate professor of philosophy at MSU Denver and works in logic, the foundations of mathematics and the history of analytic philosophy. From time to time he dabbles in questions relating to the good life as they arise in classic films.
aptations in general.
Above: Full Video of Democracy in Principle and Practice
D-phi organized a group of experts for an informative and thought-provoking conversation about the history and contemporary significance of democracy. What are the origins of democracy? How has the concept and practice of democracy evolved over time? How do elections differ from one place to another? How have changes in technology, media and demographics impacted the nature of democracy in our own time and in our own state? These questions, and many more, were addressed by our panel of political scientists, state officials, historians and philosophers.
Above: Full recording of our talk with former Representative Barney Frank
Barney Frank represented the Fourth Congressional District of Massachusetts for more than three decades. He chaired the House Financial Services Committee from 2007 to 2011, during which time he co-authored the 2010 Dodd–Frank Act, arguably the most significant piece of financial regulation legislation passed since the great depression. Frank is widely considered the most prominent gay politician in the United States. Barney Frank joined us for a conversation on his life in politics at Auraria Campus.
Above: D-phi’s 2016 collaboration with Shakespeare in the Parking Lot, a vingette of their Romeo and Juliet
The Denver Center for Performing Arts’ “Shakespeare in the Parking Lot” performed an abridged version of A Midsummer Night’s Dream outside the Tivoli Building, followed by an interview with the director and actors.
Recorded October 13th, 2016 at the Denver Center for Performing Arts
Above: A short montage of D-phi’s first event. Music credit: Davy Brown by by Ben Nichols. Video by Devin Strauch
Lucero’s frontman, Ben Nichols, performed and discussed “The Last Pale Light in the West,” a solo album based on Cormac McCarthy’s classic American novel, Blood Meridian. The performance was preceded by a lecture by MSU Denver Historian, Matthew Makely, who offered a historical analysis of the original sources and events that inspired McCarthy’s book.
Link to full event here!
Above: Full video of Dr. Pippin’s presentation and the following discussion
After a screening of the classic 1947 film, Out of the Past, at History Colorado, distinguished University of Chicago professor Robert Pippin spoke with us on the themes of fate and agency in American Film Noir.
Learn more about Robert Pippin at his University Page
Click the link to visit History Colorado’s website
D?-phi and The Denver Center for Performing Arts partnered to bring a conversation with the cast after a performance of Tribes, a critically acclaimed play that examines family, belonging, and language.
Learn more about Tribes and the DCPA here
The Denver Center for Performing Art’s “Shakespeare in the Parking Lot” performed an abridged version of Romeo and Juliet outside the Tivoli Building. The play was followed by a conversation with the troupe’s talented cast and director, moderated by English Department chair Cindy L. Carlson.
Above: A short sample of the conversation in the Phipps IMAX theater at the DCPA
A talkback with the audience at the Denver Museum of Nature and Science Phipps Imax Theater took on the topics of modern developments in artificial intelligence, the nature and consequences of consciousness, and issues of morality involving AI’s.
Full video coming soon.
Dr. Steve Beaty is a professor of Computer Science at MSU Denver with a background that includes research on artificial intelligence techniques such as genetic algorithms and neural networks.
Dr. Marco J. Nathan is Assistant Professor of Philosophy at the University of Denver. His research focuses on the philosophy of science, with particular emphasis on topics in molecular biology, neuroscience, cognitive psychology, and economics.
Dr. Candice Shelby is Associate Professor of Philosophy at the University of Colorado Denver. She recently published the book Addiction: A Philosophical Perspective, with Palgrave Macmillan. She often writes and teaches on the philosophy of mind, including potential differences in the manner of performance (if indeed there are any) between static computers and robots.
Dr. Jere Surber is Professor and Chair of Philosophy at the University of Denver, where he specializes in 19th and 20th century European thought. He teaches the very popular course “Philosophy and Video Games” and is completing a book on this topic for Bloomsbury Press.
Dr. Steven Lee is the Department Chair & Curator of Planetary Science at the DMNS. His research focuses on the interaction between the surface and atmosphere of Mars — primarily by mapping the patterns of wind-blown dust deposits across the planet.
Dr. Adam J. Graves is Associate Professor of Philosophy at MSU Denver and founder of the Denver Project for Humanistic Inquiry. His research focuses on phenomenology, philosophy of religion and freedom of the will.