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Deanne Pytlinski

Professor of Fine Art

Art

Bio

Deanne Pytlinski is Associate Professor of Art History, Theory and Criticism and Chair of the Department of Art at Metropolitan State University of Denver. Her doctorate is from the Graduate Center of City University of New York where she wrote a dissertation entitled "Utopian Visions: Women and Early Video Art". She earned an M.S. in Theory, Criticism and History of Art, Design and Architecture from Pratt Institute and a B.A. in Art with a concentration in Art History from Colorado State University. Her essay, “San Francisco Video Collectives and the Counterculture” has appeared in the recent anthology, West of Center: Art and the Counterculture Experiment in America, 1965-1977, published by University of Minnesota Press. She recently curated an exhibition for the Boulder Museum of Contemporary Art entitled "Craft Tech/Coded Media: Women, Art & Technology" which opened on October 3, 2013.

Degree

PhD in Art History, 20th Century Painting and Sculpture

The Graduate Center, City University of New York

Other in Art History

The Graduate Center, City University of New York

MS in Theory, Criticism and History of Art, Design and Architecture

Pratt Institute

BA in Art

Colorado State University

Published Works

  • Pytlinski, D. (2024). Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context. Leonardo, 57(6), 643-648. .
  • Pytlinski, D. (2018). Coming Full Circle: An Interview with Carlos Frésquez. ,
  • Pytlinski, D. (2017). Women of Abstract Expressionism. CAA.reviews, https://doi.org/10.3202/caa.reviews.2017.111
  • Pytlinski, D. . Gender and the New York Video Collectives. (). .
  • Pytlinski, D. (2014). Bo(u)nd: Heather Doyle-Maier. ,
  • Pytlinski, D. (2013). Craft Tech/Coded Media. Boulder Museum of Contemporary Art,
  • Pytlinski, D. (2011). "San Francisco Video Collectives and the Counterculture". (). . http://www.upress.umn.edu/book-division/books/west-of-center
  • Pytlinski, D., Abendroth, L. (2007). Informational texts, Substance: Diverse Practices from the Periphery Exhibition. Center for Visual Art,
  • Pytlinski, D. (2006). "To be Located in a Global Community" Decades of Influence. Museum of Contemporary Art, Denver and the Center for Visual Art,
  • Pytlinski, D. (2005). "Greg Watts: The Educated Eye (Denver International). Exposure,
  • Pytlinski, D. (2001). "Liminality and Ritual in the Art of Gary Hill". Chicago Art Journal, 117-68. .
  • Pytlinski, D., Young, J. L. (1998). "The Photographic Baroque: Manipulation, Motion, and Mania". Long Island Center of Photography and Related Media,