Education
PhD in Art History, 20th Century Painting and Sculpture
The Graduate Center, City University of New York
Other in Art History
The Graduate Center, City University of New York
MS in Theory, Criticism and History of Art, Design and Architecture
Pratt Institute
BA in Art
Colorado State University
Published Works
Pytlinski, D. (2024). Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context. Leonardo, 57(6), 643-648. .
Pytlinski, D. (2018). Coming Full Circle: An Interview with Carlos Frésquez. ,
Pytlinski, D. (2017). Women of Abstract Expressionism. CAA.reviews, https://doi.org/10.3202/caa.reviews.2017.111
Pytlinski, D. . Gender and the New York Video Collectives. (). .
Pytlinski, D. (2014). Bo(u)nd: Heather Doyle-Maier. ,
Pytlinski, D. (2013). Craft Tech/Coded Media. Boulder Museum of Contemporary Art,
Pytlinski, D. (2011). "San Francisco Video Collectives and the Counterculture". (). . http://www.upress.umn.edu/book-division/books/west-of-center
Pytlinski, D., Abendroth, L. (2007). Informational texts, Substance: Diverse Practices from the Periphery Exhibition. Center for Visual Art,
Pytlinski, D. (2006). "To be Located in a Global Community" Decades of Influence. Museum of Contemporary Art, Denver and the Center for Visual Art,
Pytlinski, D. (2005). "Greg Watts: The Educated Eye (Denver International). Exposure,
Pytlinski, D. (2001). "Liminality and Ritual in the Art of Gary Hill". Chicago Art Journal, 117-68. .
Pytlinski, D., Young, J. L. (1998). "The Photographic Baroque: Manipulation, Motion, and Mania". Long Island Center of Photography and Related Media,