528.0 Regional Juried Printmaking Exhibition
May 26 - July 22, 2017
This May, CVA will host the 528.0 Regional Juried Printmaking Exhibition sponsored by The Invisible Museum. Using the symbolic 5280 elevation of the mile high city, the call for entry was open to artists residing within a 528.0 mile radius of Denver. Works may include hand-pulled prints and intaglio, lithography, relief, silkscreen or experimental methods.
Celebrating the expansive diversity of contemporary printmaking found in our western region, 528.0 features 96 works by 58 artists and is on view at CVA May 26 through July 22, 2017.
Prize selections will be made anonymously (i.e. artist names withheld until judging is over). $1,600 in prize money will be distributed. There will be one $1,000 prize awarded – The Sue Cannon Award for excellence in printmaking. There will be six Jurors’ Choice $100 awards – each juror will select 2 works for this award.
For more details about the call for entry requirements, click here.
About the Jurors
Ashley Nason is a visiting professor in printmaking at Metropolitan State University of Denver. She received an MFA from University of Tennessee, Knoxville in 1999 and her work has been shown in more than 50 regional, national, and international exhibitions.
Ron Pokrasso has been an exhibiting artist and printmaker for more than 25 years. He received his MFA degree from Pratt Institute in 1975 and has had more than 40 solo exhibitions and more than 150 group shows.
Mark Ritchie is an artist working with printmaking and drawing. He received a BFA from the University of Kansas and an MFA in printmaking from Indiana University. For over two decades he has taught at the University of Wyoming.
Judith Bennett, Chris Blume, Mackenzie Browning, Taiko Chandler, Catherine Chauvin, Evan Colbert, Brian Comber, Sue Crosby-Doyle, Dennis Dalton, Al Denyer, Linda Everson, Susan Fisher, Mark Friday, Sarah Fukami, Libby Garon, Jennifer Ghormley, Rosemary Grace, Maria Hettinga, Katie Hoffman, Pat Isaacs, Michael Jacobs, Vivian Jean, Tressa Jones, Joe Kimble, Gwen Laine, Tressa Lillehoff, Linda Lowry, Kathie Lucas, Mark Lunning, Jennifer Lynch, Janice McCullagh, Zachary Miller, Skye Mitchell, Johanna Mueller, J. Harley Nalley, Jonathan Nicklow, John Odin, Heather Oelklaus, Tony Ortega, Howard Paine, Kelly Pierce, Dawna Quillin, Roberta Restaino, Phyllis Rider, Cheryl Rogers, Will Ross, Liz Roth, Jeff Russell, Gregory Santos, Jude’ Silva, Mark Sisson, Irmgard Sturgell, Dean Thompson, Carol Till, Naomi Van der Lande, Chris Warot, Brandon Williams and Mami Yamamoto.
All events free and open to the public
Friday May 26, 6-8pm
First + Third Fridays in Art District on Santa Fe
Open late for exhibition viewing & art making
Overview of Printmaking with Mark Lunning
Saturday May 27, 1-3pm
Join Mark Lunning – co-organizer of the 528.0 exhibition and founder / owner of Open Press – for a workshop all about the world of printmaking. Using example prints, plates and printmaking tools, Mark will explain how to recognize the difference between the four processes of printmaking (intaglio, lithography, silkscreen and relief), and how monotypes are their own medium.
Pronto Plate Lithography with FlatIron Press
Friday June 2, 6-8pm
Chris Blume – an exhibiting artist – and Sam Cikauskas, both of Boulder’s FlatIron Press, will demonstrate pronto plate lithography and offer visitors the opportunity to try their hands at this printmaking technique.
Gelatin Monotypes with Emily Moyer
Saturday June 24, 1-3pm
Emily Moyer – co-organizer of the 528.0 exhibition and an instructor at Art Students League of Denver – will show you this no-press process that produces a monotype. In this workshop open to all ages, learn how to make your own gelatin plate and take a completed monotype home with you.
Screen Printing with Mark Friday
Saturday July 1, 1-3pm
Pull a print with exhibiting artist Mark Friday as he demonstrates how screen prints are made. Mark will share his personal tools and materials, setting up one of his screens with a squeegee, ink and paper, and then guide you through the printmaking process.
Monotypes on Black Printing Paper with Tony Ortega
Saturday July 15, 1-3pm
Learn first-hand how to create monotypes on black printing paper with exhibiting artist Tony Ortega. He will show you how the multi-step monotype process yields a final print that can look different than the original image on the plexiglass plate.
965 Gallery Concurrent Exhibition
As a complement to 528.0, the student organized 965 Gallery within CVA will show Analogue Impression: Examining the Printmaking Process. The exhibition offers visitors a view into the printmaker’s studio highlighting process as an integral aspect of printmaking.
June 13, 2017
An overview: The different processes of printmaking
Printmaking can be difficult to comprehend. The processes of relief, intaglio, lithography, and screen printing are often combined to create original contemporary prints. This is why we sat down with Ashley Nason, a printmaker and a juror for the 528.0 Regional Juried Printmaking Exhibition, to discuss the different processes and how printmakers utilize them to create original prints.
June 26, 2017
Printmaking: Screen Printing
Screen printing is one of the most versatile printmaking processes because anything flat can be printed on, and facilities are as complex as a commercial press with multiple screens or as simple as clamps mounted on a board. Conor Baldry is a recent MSU Denver graduate with a BFA in Printmaking who show us the basics of screen printing.
July 3, 2017
MSU Denver BFA Printmaking graduate Mandi Quinn enlarges the printmaking process of relief by carving narratives into blocks of MDF wood to create detailed original prints.
June 29, 2017
Intaglio printmaking is a complex printmaking process that involves etching, engraving, scraping, burnishing, and much more. MSU Denver BFA Printmaking graduate Peter Miller demonstrates these various techniques on a copper plate as they create an original print from their designs.
July 12, 2017
Monotype is a painterly process that utilizes a printmaking press to create a unique image that can never be reproduced. It is this distinction of not having a reproducible matrix that makes monotype different from the four printmaking processes of relief, intaglio, lithography, and screen printing.